Classify by: title | author

270 CZK CD  149 CZK mp3 more info ...for viola da gamba - Petr Wagner Gottfried Finger Sonatae, Balletti scordati, Aria et variationes Petr Wagner: viola da gamba & Ensemble Tourbillon Natalia Sitarz: harpsichord, organ positive Jan Krejca: thorbo, Baroque guitar Premysl Vacek: archlute Robert Rawson: viola da gamba
370 CZK 2CD  199 CZK mp3 more info 36 Fugues for Fortepiano Antonín Rejcha Jaroslav Tůma - fortepiano Anton Walter 1790 World premiere recording on period hammer-clavier
270 CZK CD  149 CZK mp3 more info A Birding We Shall Go! Hunting Songs of Baroque Bohemia on period instruments
270 CZK CD  149 CZK mp3 more info A Winged Creature Miroslav Pudlák Ensemble Mondschein, Prague Philharmonia contemporary music
149 CZK mp3 more info Agon Contemporary music ensemble from Prague presents compositions by Martin Smolka (Music Sweet Music, 1985-88), Miroslav Pudlák (Imprints, 1985), Petr Kofroň (Alfa and Centaur, 1988-89) and Josef Adamík (Unstable and Improbable Dances, 1983-84).
270 CZK CD  149 CZK mp3 more info Amor tiranno Italian Love Songs of the 17th century, from the Lobkowicz Collection in Bohemia Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano, Jan Krejča: theorbo, Baroque guitar, Renaissance lute, Miloslav Študent: archlute, Baroque guitar, Renaissance lute, Petr Wagner: viola da gamba, Tomáš Reindl: percussion
270 CZK CD  149 CZK mp3 more info Brevnov Abbey Organ (The) Czech late Baroque figural music by Benedictines of the Břevnov-Broumov Archabbey / Johann Valentin Rathgeber, Georg Christoph Wagenseil, Wenzel Gunter Jacob, Josef Mentzel, Erasmus Mentschel, Anonymous Robert Hugo - organ, Hana Blažíková - soprano, Markéta Cukrová - alto, Jaromír Nosek - bass Capella Regia Praha, directed by Robert Hugo
270 CZK CD  149 CZK mp3 more info Capella regia musicalis - Ritornello Václav Karel Holan Rovenský Hollan's hymnal CAPELLA REGIA MUSICALIS (1693/94) is unique in the world, for several important reasons. Its relatively large format (A4) was rarely used anywhere. It was so big that it required a music stand. It was not, however, meant only to remain standing in the church as a counterpart to the liturgical books on the altar; it was intended for use in processions, schools, at table in peoples' homes, and at the bedside (for morning, evening, and wedding songs). Some of the songs seem to have come running in from a small grove, park, garden, or field-path, or, conversely, running back to them. It contains songs for a small Bohemian Ordinary, next to evensongs, songs for the congregation, solo 'arias' for professionals - the acolytes. Some of the songs allow the accompanying organist to 'shine'; others have been furnished much less modestly with parts not just for the organ but for many other instruments as well. No other nation in the world can boast such an accomplishment.

1 2 3 4 5 6 7 8 9 10

next >