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Partitas BWV 825-830
649 CZK  2CD
028947669913
Johann Sebastian Bach
Partitas BWV 825-830
24 capricci
399 CZK  CD
028947633181
Niccolo Paganini
24 capricci
Phantasy Of Spring
399 CZK  CD
028947633105
Widmann, Lepper
Phantasy Of Spring
Notturno
239 CZK  CD
028947669951
Othmar Schoeck
Notturno
Kurtágonals
249 CZK  CD
028947632603
Kurtág jr., Hortobágyi, Lengyelfi
Kurtágonals
Euridice, Chamber Music
239 CZK  CD
028947632610
Alfred Zimmerlin
Euridice, Chamber Music

Carmina Quartett, Aequatuor, Aria Quartett

2. Streichquartett "mit kleinen Wellen an jedem Blattrand (wie eines Windes Lächeln)" (2003)
Euridice singt (2001-2003/04), Szene für Sopran, Oboe, Violoncello, Klavier und Zuspiel-CD
1. Streichquartett (2001/02)

Romancendres
399 CZK  CD
028947632252
Holliger, Schumann
Romancendres

Clara Schumann: Romanzen / Heinz Holliger: Romancendres
Christoph Richter: cello, Dénes Várjon: piano

Heinz Holliger: Gesänge der Frühe
SWR Vokalensemble, Sinfonieorchester des SWR, conducted by Heinz Holliger

Inventionen, sinfonien...
399 CZK  CD
028947663553
Johann Sebastian Bach
Inventionen, sinfonien...

Till Fellner: klavír

Inventionen BWV 772 - 786, Sinfonien BWV 787 - 801, Französische Suite V in G-Dur BWV 816

For more than four years, fans have been waiting for a new Bach recording from the extraordinary Austrian pianist Till Fellner. His interpretation of the first book of the Well-tempered piano for ECM was released in 2004 to great critical acclaim. “The articulation and the shaping of line are always clean, with meticulous but subtle attention given to the underlining of fugue subjects. There is just the right amount of flexibility in his shaping of phrase, and the sheer beauty of his sound helps lend the cerebral an enticing touch of the sensual”, wrote Stephen Pettitt in the Evening Standard. With the two-part Inventions and three-part Sinfonias Fellner now illuminates the magic of Bach’s allegedly just didactic piano pieces from 1722/23, in which he offered a method of polyphonic playing and composing. Interspersed is a vividly swinging account of Bach’s fifth French Suite in G-major.

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