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new period music inspired by the famous vocal collection by Adam Václav Michna (selection from the Czech Marian Music, 1647) composed and performed by Jaroslav Tůma organ from Kruh (1627) in the cathedral of St Stephen in Litoměřice
Lamentatio Jeremiae prophetae Leçons de Ténèbres (1995–1996) Filip Dámec: tenor, contratenor Ondřej Holub: tenor Hana Fleková: Baroque cello Martin Smutný: piano
Lucie Sedláková Hůlová - Baroque violin Jaroslav Tůma - organ
Johann Sebastian Bach, Dietrich Buxtehude, Johann Caspar Ferdinand Fischer, Johann Erasmus Kindermann, Nicolas Lebègue, Johann Pachelbel, Hieronymus Praetorius, Heinrich Scheidemann, Samuel Scheidt, Jean Titelouze, Jaroslav Tůma Jaroslav Tůma plays organ from 1712 by Tobias Fleck, reconstructed by Vladimír Šlajch (2019) Pavel Šmolík and Schola Cantorum Pilsensis co-perform in the chants
Thomas Morley, John Dowland, Claudio Monteverdi, Vincenzo Calestani, Tarquinio Merula, Johann Sebastian Bach, Georg Friedrich Händel, Wolfgang Amadeus Mozart, Mauro Giuliani, Franz Schubert, Benjamin Britten, Leonard Cohen, Howard Blake
David Cizner: boy soprano period instruments enselble directed by Flores Cizner
Jakub Janšta: organ by Emanuel Štěpán Petr 1898 (restored by Kánský-Brachtl in 2018) Georg Friedrich Händel (1685–1759), arr. Sigfrid Karg-Elert Variationen in E-dur „Der harmonische Grobschmied” aus der Suite Nr. 5 für Klavier HWV 430 ?Johann Sebastian Bach (1685–1750), arr. Sigfrid Karg-Elert Capriccio aus der Toccata für Klavier G-dur BWV 916 Adagio (Air célèbre) aus der Orchester-Suite D-dur BWV 1068 Choral-Improvisation und Fuge aus der Motette „Singet dem Herrn ein neues Lied” BWV 225 Sigfrid Karg-Elert (1877–1933) O Gott, du frommer Gott, op. 65/50 Felix Mendelssohn-Bartholdy (1809–1847) Sonate B-Dur, op. 65/4 Oreste Ravanello (1871–1938) Preghiera, op. 50/2 Tema e variazioni si minore per Grand‘Organo
