Lucie Sedláková Hůlová - violin, Martin Sedlák - cello

Jakub Janšta: organ by Emanuel Štěpán Petr 1898 (restored by Kánský-Brachtl in 2018) 

Georg Friedrich Händel (1685–1759), arr. Sigfrid Karg-Elert
Variationen in E-dur „Der harmonische Grobschmied” aus der Suite Nr. 5 für Klavier HWV 430

?Johann Sebastian Bach (1685–1750), arr. Sigfrid Karg-Elert
Capriccio aus der Toccata für Klavier G-dur BWV 916 
Adagio (Air célèbre) aus der Orchester-Suite D-dur BWV 1068 
Choral-Improvisation und Fuge aus der Motette „Singet dem Herrn ein neues Lied” BWV 225

Sigfrid Karg-Elert (1877–1933)
O Gott, du frommer Gott, op. 65/50 

Felix Mendelssohn-Bartholdy (1809–1847)
Sonate B-Dur, op. 65/4 

Oreste Ravanello (1871–1938)
Preghiera, op. 50/2 
Tema e variazioni si minore per Grand‘Organo 

Lamentatio Jeremiae prophetae
Leçons de Ténèbres
(1995–1996)

Filip Dámec: tenor, contratenor
Ondřej Holub: tenor
Hana Fleková: Baroque cello
Martin Smutný: piano

Opera from 2021. Libretto: Marek Řihák
Music and music production: Tomáš Hanzlík
Ensemble Damian

Martin Smutný - piano

Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi

Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano
Hipocondria Ensemble directed by Jan Hádek

The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...