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SETRIDIT_PODLE: NAZEV_TITULU | JMENO_AUTORA | DATA_ZAHAJENI_PRODEJE

Et Lux
399 CZK  CD
028948115853
VICE_INFO
Wolfgang Rihm
Et Lux

Huelgas Ensemble, Minguet Quartett

Paul Van Nevel, conductor

Organs of Eight Dioceses
290 CZK  CD
8595017422522
VICE_INFO
Jaroslav Tůma
Organs of Eight Dioceses
Last Leaf
399 CZK  CD
028948157464
VICE_INFO
Danish String Quartet
Last Leaf

Rune Tonsgaard Sørensen: violin, harmonium, piano, glockenspiel
Frederik Øland: violin
Asbjørn Nørgaard: viola
Fredrik Schøyen Sjölin: violoncello, double-bass

Solum Car.L.Men
290 CZK  CD
Jaroslav Tůma
Solum Car.L.Men

Songs from the Polish evangelical songbook - Hommage to Carl Maria von Weber 
Jaroslav Tůma - organ improvisation 
?organ by Schlag und Söhne, Pokoj (Poland)

Passio
NENI_K_DISP
399 CZK CD
042283710924
Arvo Pärt
Passio

The Hilliard Ensemble

De profundis
290 CZK  CD / DVD
8595017422324
VICE_INFO
Sára Medková
De profundis

Johann Sebastian Bach, Vít Zouhar, Ivo Medek/ Sára Medková, Frederic Rzewski

Sára Medková: piano, voice

Complete Works for Ensemble and Choir
799 CZK  3CD
028948128839
VICE_INFO
György Kurtág
Complete Works for Ensemble and Choir

Natalia Zagorinskaya: soprano; Gerrie de Vries: mezzo-soprano; Yves Saelens: tenor; Harry van der Kamp: bass

Jean-Guiten Queyras: violoncello; Elliott Simpson: guitar; Tamara Stefanovich: piano; Csaba Király: pianino, spoken word

Asko/Schönberg Ensemble, Netherlands Radio Choir, Reinbert de Leeuw, conductor

Requiem
399 CZK  CD
028948141012
VICE_INFO
Tigran Mansurian
Requiem

RIAS Kammerchor & Münchener Kammerorchester
directed by Alexander Liebreich

Tigran Mansurian has created a Requiem dedicated to the memory of the victims of the Armenian Genocide that occurred in Turkey from 1915 to 1917. Co-commissioned by the Munich Chamber Orchestra and the RIAS Choir Berlin, Mansurian’s Requiem reconciles the sound and sensibility of his country’s traditions with those of Western practices, the combination of ancient Armenian religious and secular music with the Latin Requiem text “giving rise to something unexpected,” the composer says. This is profoundly moving contemporary composition, illuminated by the “glow of Armenian modality,” as Paul Griffiths puts it in his booklet essay. The work is a milestone for Mansurian, widely acknowledged as Armenia’s greatest composer. The Los Angeles Times has described his music as that “in which deep cultural pain is quieted through an eerily calm, heart-wrenching beauty.”

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