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Jan Anselm Fridrich: Musica in luctu sive piae considerationes in amarissimam Christi passionem František Ignác Antonín Tůma: Stabat Mater in g Musica Florea, Collegium Floreum, Marek Štryncl
Jan Novák: Sulpicia (Amores Sulpiciae) for four female voices based on texts of Albia Tibulla Tereza Surovíková: Maturation of Love (Zrání lásky) set of three compositions for a five-part female choir a cappella on the biblical text of the same name - Song of Songs No. 2 Karel Bendl: In the Nature Realm (V přírodě) twelve duet songs on the words of Vítězslav Hálek
Graupner, Bach J.S., Bach C.P.E., Štěpán, Mozart, Howells
Jaroslav Tůma - clavichord, Johann Christoph Georg Schiedmayer, 1787
Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano Hipocondria Ensemble directed by Jan Hádek The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...