Until historians of music finally elevated him to the status of the Bach of Bohemia, Černohorský had long been widely considered a composer for the organ. Thanks only to painstaking detective work did it become possible in subsequent years to determine the key moments of his life and, at least in part, to answer a question that to this day remains just as intriguing – namely, who exactly was
Bohuslav Matěj Černohorský?
Complete works - World premiere recording on period instruments

Ritornello Fraucimor, directed by Michael Pospisil
Hana Blazikova - vocal, harp, drum, Katerina Dolezalova - vocal, harp, Hana Flekova - viola di gamba, Simona Holubcova - theorbo, Jana Lewitova - vocal, harp, viola, Lenka Mitasova - lutes, harp, Tereza Pavelkova - recorder, organ positive, vocal, Blazena Pechackova - vocal, violin, pochette, harp, Michael Pospisil - vocal, whistle-pipe, cornett, chalumeaux, organ positive

Borbála Dobozy: harpsichord (copy of  a German Michael Mietke´s double-manual instrument built around 1710, from the "Bečička, Hüttl & Šefl" workshop, Bystřec 2005)

Joseph Renner: Sonáta g moll op. 29
Sigfrid Karg-Elert: Choral-Improvisationen op. 65/38: Jesu, meine Freude (Passacaglia)
Otomar Kvěch: Malá suita pro varhany (A Little Suite For Organ)
Johann Sebastian Bach: Passacaglia c moll BWV 582
Franz Liszt: Weinen, Klagen, Sorgen, Zagen. Variace na téma J. S. Bacha S.673

organ by G. F. Steinmeyer & Co, 1875 (Oettingen, a town in Bavaria)  

Dixit Dominus RV 595, Magnificat RV 610b, Laudate pueri RV 600, Salve Regina RV 617

Gabriela Eibenová - soprano, Hana Blažíková - soprano, Marta Fadljevičová - soprano, Lester Lardenoye - alto, Jaroslav Březina - tenor, Tomáš Král - bass

Ensemble Inégal, Prague Baroque Soloists, conducted by Adam Viktora