Missa Omnium Sanctorum ZWV 21
Christe eleison ZWV 29
Barbara dira effera ZWV 164

Kai Wessel - alto, Gabriela Eibenová - soprano, Jan Kobow - tenor, Tomáš Král - bass, Marián Krejčík - bass

Ensemble Inégal, Prague Baroque Soloists - Adam Viktora, conductor

Gabriela Eibenová – soprano
Carlos Mena – alto
Makoto Sakurada, Václav Čížek – tenor
Lisandro Abadie, Marián Krejčík – bass

Ensemble Inégal & Prague Baroque Soloists
conducted by Adam Viktora

Jaroslav Tůma, organ

+ Litaniae Xaverianae, ZWV 15

Gabriela Eibenová, Hana Blažíková – sopran, Jacob Huppmann – alto, Jaroslav Březina – tenor, Tomáš Král, Marian Krejčík – bass

Ensemble Inégal, Prague Baroque Soloists, conducted by Adam Viktora

Graupner, Bach J.S., Bach C.P.E., Štěpán, Mozart, Howells

Jaroslav Tůma - clavichord, Johann Christoph Georg Schiedmayer, 1787

Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi

Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano
Hipocondria Ensemble directed by Jan Hádek

The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...

Until historians of music finally elevated him to the status of the Bach of Bohemia, Černohorský had long been widely considered a composer for the organ. Thanks only to painstaking detective work did it become possible in subsequent years to determine the key moments of his life and, at least in part, to answer a question that to this day remains just as intriguing – namely, who exactly was Bohuslav Matěj Černohorský?

Complete works - World premiere recording on period instruments