Gabriela Eibenová – canto I
Daniela Čermáková – canto II

Ensemble Inégal directed by Adam Viktora

Dietrich Buxtehude, Georg Muffat, Johann Sebastian Bach, Johann Gottfried Walther

Pavel Svoboda – Halbig organ (1727) in the parish church of Saint Wenceslaw

Franz Schubert: Three Piano Pieces D 946, No. 1 e-flat minor. Allegro Assai; Allegretto c minor D 915; Hungarian Melody b minor D 817

Wolfgang Amadeus Mozart: Gigue G major KV 574

Joseph Haydn: Sonata g minor, Hob. XVI: 44

Ludwig van Beethoven: Andante favori F major woO 57

Johann Sebastian Bach: Partita No. 1 B-flat major MWV 825, Menuet I & II, Gigue; Well-Tempered Clavier, Book I, Prelude & Fugue b-flat minor BWV 867

András Schiff: piano

Missa Omnium Sanctorum ZWV 21
Christe eleison ZWV 29
Barbara dira effera ZWV 164

Kai Wessel - alto, Gabriela Eibenová - soprano, Jan Kobow - tenor, Tomáš Král - bass, Marián Krejčík - bass

Ensemble Inégal, Prague Baroque Soloists - Adam Viktora, conductor

+ Litaniae Omnium Sanctorum ZWV 53

Cyril Auvity - tenor
Marián Krejčík – bass
Gabriela Eibenová – soprano
Terry Wey – alto

Ensemble Inégal & Prague Baroque Soloists
conducted by Adam Viktora

Lisa Smirnova: piano

Giedré Lukšaité-Mrázková - harpsichord
Jaroslav Tůma - harpsichord

In connection with the 20th anniversary of František Vyhnálek´s workshop, the Czech leadest harpsichord maker, we are pleased to announce an exceptional 2CD project presenting two famous Czech harpsichordists performing compositions by Byrd, Farnaby, Frescobaldi, Sweelinck, Couperin, Händel, Štěpán and Bach on 6 different instruments.

Until historians of music finally elevated him to the status of the Bach of Bohemia, Černohorský had long been widely considered a composer for the organ. Thanks only to painstaking detective work did it become possible in subsequent years to determine the key moments of his life and, at least in part, to answer a question that to this day remains just as intriguing – namely, who exactly was
Bohuslav Matěj Černohorský?
Complete works - World premiere recording on period instruments