Anja Lechner: violoncello, tamtam
Agnès Vesterman: violoncello

Jaroslav Tůma, organ

Jan Novák: Sulpicia (Amores Sulpiciae) for four female voices based on texts of Albia Tibulla

Tereza Surovíková: Maturation of Love (Zrání lásky) set of three compositions for a five-part female choir a cappella on the biblical text of the same name - Song of Songs No. 2

Karel Bendl: In the Nature Realm (V přírodě) twelve duet songs on the words of Vítězslav Hálek

Concerto for Cello and Orchestra C major, N 542
Concerto for French Horn and Orchestra E flat major, N 541
Cassatia in C, N 540

Eduard Šístek: cello
Radek Baborák: French horn
L'Armonia Terrena, conducted by Zdeněk Klauda

+ Litaniae Xaverianae, ZWV 15

Gabriela Eibenová, Hana Blažíková – sopran, Jacob Huppmann – alto, Jaroslav Březina – tenor, Tomáš Král, Marian Krejčík – bass

Ensemble Inégal, Prague Baroque Soloists, conducted by Adam Viktora

Graupner, Bach J.S., Bach C.P.E., Štěpán, Mozart, Howells

Jaroslav Tůma - clavichord, Johann Christoph Georg Schiedmayer, 1787

Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi

Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano
Hipocondria Ensemble directed by Jan Hádek

The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...