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When composers die, there is usually a certain decline of interest in their musical legacy. In my opinion, Eben’s organ music has a chance to be among the works that will retain a stable position in the repertoire of organists not only in this country, but also abroad. So far, they have been finding their way back into the limelight with intermittent success. Sunday Music, Laudes, and Toccata Fugue are among the pieces frequently chosen by certain ambitious performers regardless of their nationality. Many also regard these works as milestones of organ music of the latter half of the twentieth century. Through this publication about interpretation, my goal was to introduce and explain Eben’s music as having a timeless message and also as belonging comfortably to the traditions of European organ culture.
The Czech Philharmonic Low Brass Ensemble Robert Kozánek – altový pozoun, umělecký vedoucí Lukáš Motka, Jan Perný, Lukáš Besuch – tenorové pozouny Karel Kucera – basový pozoun; Karel Malimánek – tuba a hosté: Ivana Kozánková Hlavonová – klavír Camilo Caller – perkuse Josef Vejvoda – perkuse
Alfred Strejček - umělecký přednes Pražští pěvci, sbormistr Stanislav Mistr Pavel Šmolík - varhany
Opera z roku 2021. Libreto: Marek Řihák Hudba a hudební nastudování: Tomáš Hanzlík Ensemble Damian
Graupner, Bach J.S., Bach C.P.E., Štěpán, Mozart, Howells
Jaroslav Tůma - klavichord, Johann Christoph Georg Schiedmayer, 1787
České a moravské pastorely 18. století Victoria Ensemble umělecké vedení Viktorie Kaplanová
Missa di Requiem, Litaniæ de Sanctissimo Nomine Jesu, Mottetum pro defunctis, Offertoria Victoria Ensemble & Musica Florea řídí Marek Štryncl
Lucie Sedláková Hůlová - barokní housle Jaroslav Tůma - varhany
