Brodsky Quartet: Andrew Haveron - violin Ian Belton - violin Paul Cassidy - viola Jacqueline Thomas - cello
Alexander von Zemlinsky (1871 - 1942) String Quartet No. 1 in A major, Op. 4 Anton Webern (1883 - 1945) Langsamer Satz (Slow Movement), for string quartet Arnold Schoenberg (1874 - 1951) String Quartet in D major Brodsky Quartet: Andrew Haveron - violin, Ian Belton - violin, Paul Cassidy - viola, Jacqueline Thomas - cello
John Abercrombie: acoustic and electric guitars, electric 12-string guitar, mandoline guitar Ralph Towner: 12-string and classical guitars
Heinz Holliger: oboe, oboe d’amore; Anita Leuzinger: cello; Anton Kernjak: piano Robert Schumann Sechs Stücke in kanonischer Form op.56 Drei Romanzen für Oboe und Klavier op.94 Heinz Holliger Romancendres für Violoncello und Klavier Robert Schumann III Intermezzo. Bewegt doch nicht zu schnell (aus: FAE Sonate Nr. 3 in a-Moll, WoO2) Sonate Nr. 1 für Pianoforte und Violine in a-Moll op.105
Gidon Kremer: violin; Keith Jarrett: piano; Tatjana Grindenko: violin Staatsorchester Stuttgart: orchestra; Dennis Russel Davies: conductor The 12 Cellists of the Berlin Philharmonic Orchestra Alfred Schnittke: prepared piano; Lithuanian Chamber Orchestra; Saulius Sondeckis: conductor
Vinyl reissue in facsimile gatefold edition, includes original liner notes in enclosed booklet.
Frode Haltli: accordion Arditti Quartet > Irvine Arditti: violin Ashot Sarkissjan: violin Ralf Ehlers: viola Lucas Fels: violoncello Trondheim Soloists
When composers die, there is usually a certain decline of interest in their musical legacy. In my opinion, Eben’s organ music has a chance to be among the works that will retain a stable position in the repertoire of organists not only in this country, but also abroad. So far, they have been finding their way back into the limelight with intermittent success. Sunday Music, Laudes, and Toccata Fugue are among the pieces frequently chosen by certain ambitious performers regardless of their nationality. Many also regard these works as milestones of organ music of the latter half of the twentieth century. Through this publication about interpretation, my goal was to introduce and explain Eben’s music as having a timeless message and also as belonging comfortably to the traditions of European organ culture. Recommended recording Petr Eben: Organ Music F10233
